A long time ago a young boy attended Vacation Bible School and built a wooden birdhouse.  The little boy’s mother tucked it away and saved it for decades.  At some point, the birdhouse was returned to its maker and has traveled with him ever since.  That little boy is my husband and this birdhouse is almost 50 years old.
Original Birdhouse Used as Model by FanningSparks.   @FanningSparks
I love this birdhouse.  It’s too precious to use outside but has made numerous appearances in our home décor over the years.  I love its provenance but I also love the design.  It’s served as the model for several birdhouses I’ve built over the years.  In today’s post, I’d like to share a step-by-step tutorial for making this birdhouse.  There are hundreds of birdhouse designs available but I like this one for a simple reason‒birds like this birdhouse.  Over the years, we’ve had several Eastern Bluebirds nest in them.
Couple of Eastern Bluebirds Moved Into FanningSparks Birdhouse.   @FanningSparks
But it’s not only bluebirds that like this birdhouse.  We’ve had other small birds, such as chickadees and wrens, choose to nest in these birdhouses as well.  The size and design of this birdhouse are tailored to small birds.  For instance, the size of the opening‒at a mere 1½”‒only allows small birds to enter.
Carolina Chickadee Moved Into FanningSparks Birdhouse.   @FanningSparks
A few other advantages of this birdhouse design are:
. It is attractive and looks pretty in the yard.
. It is sturdy and easy to install.
. It is simple and straightforward to make.  Only standard tools, a jigsaw and a drill, and readily accessible supplies are needed.

We’ll start with the supplies and tools needed to make this bluebird-approved birdhouse.  Step-by-step instructions follow.

Supplies Needed
Supplies Needed for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
. Lumber: 5 ft of 1” by 8” (actual size is ¾” x 7¾ ”).   I used knotty pine boards.
. Screws for House Assembly: 20 Size #6 1¼” length wood screws
. Flange: 3” black metal floor flange for ½” pipe
. Screws for Flange: 4 Size #8 ¾” length wood screws
. Pole: 5 ft length of ½” black steel pipe.  The pole needs to be threaded for connection to the flange.
Note: I found the flange and the pipe in the plumbing department at my local Home Depot store.
. Steel Rebar: 2″ ft length

Tools Needed
Jigsaw (or whatever type of saw you prefer to cut the wood)
Drill (alternatively a hole saw or drill press would work)
3 Drill bits:
… 3/32” bit for pre-drilling Size #6 screws
… 7/64” bit for pre-drilling Size #8 screws
… 1½ “ spade bit for opening
Clamps
Screwdriver
Tape Measure
Pencil
TIP: To determine the size of pilot hole to pre-drill for screws, consult a handy cross-reference chart such as this Wood Screw Pilot Hole Sizes chart from BoltDepot.com.

Instructions for Bluebird-Approved Birdhouse
Measurements
The design and dimensions of the birdhouse are shown below.
Design and Dimensions for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks

Preparations
Step 1  Cut Wood Parts.  Start by creating a paper template for the Front following the dimensions and instructions noted in the photo above.
Cut Wood Parts for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Cut the 8” x 1” pine board into the following parts:
. Over Roof 7 ¼” x 10”
. Under Roof 7 ¼” x 9 ¼”
. Front 7” x 11 ⅞” – to shape specified
. Back 7” x 11 ⅞” – to shape specified
. Side 5” x 6 ½”
. Side 5” x 6 ½”
. Bottom 6 ½” x 4 ½”
TIP:  Use a simple guide to make accurate and straight cuts with a jigsaw.  Clamp a length of wood trim along the cutting line to guide the edge of the jigsaw.  Measure carefully to determine where the guide should be placed.  Note the guide is clamped about 1” from the actual cutting line in the below photo. Take note of the measurement to use on subsequent cuts.
TIP: Use a Piece of Trim or Scrap Wood as a Guide for Straight and Accurate Jigsaw Cuts.  Part of DIY Bluebird-Approved Birdhouse Tutorial at FanningSparks.   @FanningSparks
Step 2 Test Fit.  Assemble the pieces to get familiar with how they fit together and to ensure they fit correctly.  Make any necessary adjustments.
Test Fit the Parts for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Step 3  Cut Under Roof.  The top edge of the Under Roof is the only angled cut required.  Cut this edge at a 70⁰ angle so it will fit snugly under the Over Roof section.
Roof Construction on DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Step 4  Drill Opening. A 1 ½” opening is needed in the Front. Mark circle for hole centered horizontally and with bottom edge 5⅞” from bottom of Front.
Marking Circle for Opening on DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
To drill this hole using a spade bit complete the following steps.  Clamp Front on top of a piece of scrap wood to cushion the operation and prevent tear out.  Drill pilot hole in center of circle using a small bit.  Drill series of holes with ¼” bit around outside edge of circle.  Ensure holes are drilled all the way through the Front piece.  These holes eliminate some of the bulk making it easier to drill the final hole.
Prepare to Drill With Spade Bit for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Using the 1½” spade bit, center bit in pilot hole and hold firmly.  Drill down until hole is cleared.
Opening Cut with Spade Bit for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Step 5 Attach Back to Side  Mark Back for 4 screws.
TIP: Make a simple guide to mark screw placement accurately.  Use a piece of scrap wood.  Find and mark the center.  Align this guide with the edge of the piece to be screwed and mark with pencil.  Press tip of sharp nail into wood at pencil mark to indent for pilot hole.  This indentation makes it easier to position the drill bit in the right spot.TIP:  Find Center on a Piece of Scrap Wood and Use to Mark for Screw Placement.  Part of DIY Bluebird-Approved Birdhouse Tutorial at FanningSparks.   @FanningSparks
As shown below, clamp Side along 6½ ” edge to hold it steady and level.  Hold Back on top of Side, squaring corner and aligning roof line and bottom edges.  Drill pilot holes at marks with 3/32” bit.  Attach with size #6 1¼” length screws.  This will result in an L-shaped piece.
Clamp Side to Attach Back for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Step 6 Attach Front to Side  Repeat Step 5 to attach Front to other Side.  This will result in a second L-shaped piece.
Step 7 Construct Nest Box  Prepare to attach the 2 L-shaped pieces.
Two L-Shaped Pieces for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Hold 2 pieces together aligning bottoms and side edges. Drill pilot holes and screw together.  This will result in a basic 4-sided box.
Basic Box Ready for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Step 8 Attach Roof  Note there is a ¾” overhang on the front edge of the roof but not on the back.  Mark Roof pieces for 4 screws.  Screws should be about 1″ from the front edge due to the roof overhang.
Lay Under Roof on work surface.  Place basic box on top of Under Roof aligning roof edges.  Position the Over Roof on top of the basic box aligning edges.  Hold together firmly.  Drill pilot holes and screw together.  I found it most effective to start by attaching the top edge of the Over Roof followed by the top edge of the Under Roof.  Then attaching the bottom edges of both roof pieces.
Attaching Roof for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
Step 9 Attach Bottom and Pole   Mark Bottom for 4 screws.  Find center of Bottom and mark.  Place metal Flange over center mark ensuring it is centered.  Mark screw placement for Flange.  Drill pilot holes at Flange marks with 7/64” bit.  Attach Flange with size 8 ¾” length screws.
Hold birdhouse with bottom facing up.  It’s helpful to wedge the roof peak between two boards so the bottom of the nest box is flat and level.  Lay Bottom in place aligning edges on all sides.  Drill pilot holes and attach with screws.  Screw metal Pole into metal Flange.
Bottom with Flange for DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
I deliberately do not paint or finish the wood to avoid exposing the birds to harsh materials.  Plus I prefer to let it weather naturally.  When it comes time to clean the birdhouse, simply back off the screws in the Bottom and carefully lift off the box.

Your birdhouse is ready to install!  Take a few minutes to consider the best location.  If you’re lucky enough to be in an area where Eastern Bluebirds live (see More Info below), you’ll want to consider the bluebirds’ preferences.  According to NestWatch from The Cornell Lab of Ornithology, Eastern Bluebirds prefer “open field or lawn; orchards; open, rural country with scattered trees and low or sparse ground cover; entrance hole should face open field, preferring east, north, south, and then west-facing directions“.  See More Info below for advice on other birds.  Of course, you’ll also want to consider your own preferences and place the birdhouse in a location that’s convenient and easy to watch.
Insert the Rebar into the ground ensuring it is plumb.  Simply slip the metal Pole over the Rebar.   Now, wait for the birds to move in…
Bluebird Couple on DIY Bluebird-Approved Birdhouse.  Tutorial at FanningSparks.   @FanningSparks
… and the show to begin!
Eastern Bluebird Holding Dragonfly.  See DIY Bluebird-Approved Birdhouse Tutorial at FanningSparks.   @FanningSparks

More Info

The Cornell Lab of Ornithology is a great source of information for anyone interested in birds.  Their website states: “We believe in the power of birds to ignite discovery and inspire action.  Join us on a lifelong journey to enjoy, understand, and protect birds and the natural world.”  The All About Birds section of the website is jam-packed with useful and interesting info.
The Birds of North America section of their website includes detailed maps showing where different birds live and migrate.
To learn more about locating your birdhouse, check out the Nest Box Placement on the NestWatch section of their website.
You might also enjoy my previous post From Feeders to Quilts where we took a peek at a busy backyard bird feeding station along with some bird-themed fiber art.

Please pin the below image for future reference.
DIY Bluebird-Approved Birdhouse Tutorial by FanningSparks.   @FanningSparks

Today’s Takeaways

1. A birdhouse is a great project for a beginning woodworker.
2. The design of a birdhouse influences which birds will nest there.
3. Choose the location of a birdhouse carefully considering the birds’ preferences as well as your own.

Peg - FanningSparks Author

Incredible! That’s the word that kept popping into my head as I explored the Glass Flowers exhibit at the Harvard Museum of Natural History.  I first heard about this exhibit during an Intro to Glass Blowing class at the John C Campbell Folk School. During our class, we learned flamework techniques including glass sculpting and blowing with a propane torch.  Here’s one of the instructors, Tony Prince, demonstrating how to make a small glass tree.
Tony Prince Demonstrates Flamework at the John C Campbell Folk School.   @FanningSparksWhile it looks easy when a pro like Tony does it, it’s not!  Glass flamework takes exceptional coordination and lots of practice.  My own meager attempt to blow a round Christmas ornament turned into an odd shape more like a vegetable.  Yet, I’m insanely proud of my pepper-like ornament!
One of my First Blown Glass Ornaments.   @FanningSparks
My fellow students said the Glass Flowers were amazing and, boy oh boy, were they right!
Glass Flowers Exhibit at Harvard Museum of Natural History.   @FanningSparks
Not only are the botanical models impressive in their detailed accuracy but the fact they’re made of glass and wire with the simplistic equipment used at the time (1886 – 1936) is simply mind blowing.  Here’s the lampworking bench believed to have been used in the making of the Glass Flowers.
Blaschka Lampworking Bench at Harvard Museum of Natural History Glass Flower Exhibit.   @FanningSparks
As a case in point, instead of adjusting the flame of a propane-fueled torch with the simple turn of a dial as is done today, they used foot-operated bellows to provide a stream of air to intensify the flame of the lamp. The bellows are below the desk.
Bellows Under Lampworking Bench at Harvard Museum of Natural History Glass Flower Exhibit.   @FanningSparks
Being able to manipulate glass to the precision needed to replicate real life plants and flowers is just incredible.  I am in awe!  Let’s look at an example to prove this isn’t an exaggeration.  Here’s a photo of the Malus pumila, aka apple, flower in glass.  Please note this photo was taken through the glass display case under harsh showroom lights so it’s not as clear as it could be.
Malus pumila (Apple) Blossom at Glass Flower Exhibit.   @FanningSparks
And here’s a photo I took just 2 days earlier of apple blossoms in the Kingsbrae Garden in St. Andrews, New Brunswick.  Incredible, right?
Apple Blossoms at Kingsbrae Garden in St Andrews New Brunswick.   @FanningSparks
Each specimen is shown with flowers (if any) along with magnified sections of significant parts.  Here’s the display for the Lathyrus splendens with the common name of Pride of California or Wild Pea.  It’s very similar to the flower we know as Sweet Pea (Lathyrus odoratus).
Lathyrus splendens aka Wild Pea Displayed in Glass Flowers Exhibit.   @FanningSparks
Here’s a closeup of the flower blossoms.
Closeup of Lathyrus splendens aka Wild Pea at Glass Flowers Exhibit.   @FanningSparks
The story behind the glass flower models is fascinating.  Here’s the explanation provided at the Exhibition along with a few more photos.
Tradition of Glass Making   Leopold Blaschka was born into a family of glass workers on May 27, 1822 in Böhmisch Aicha, now the Czech Republic.  Like his father and grandfather, Leopold Blaschka embraced the family tradition.  He built a vibrant business producing jewelry and other fine goods, as well as more practical items such as laboratory equipment and glass eyes.”

American White Waterlily in Glass Flowers Exhibit.   @FanningSparks
American White Waterlily

From Father to Son   After Leopold was commissioned to make sea anemones for Dresden’s natural history museum in 1863, he began to focus on scientific model making.  Gifted with exceptional aptitude as a flameworker and a love of natural history, 19-year-old Rudolf joined the family business in 1876.  Together, they supplied invertebrate marine models to private collectors, museums and universities worldwide, attracting the attention of Harvard’s first Botanical Museum Director, George Lincoln Goodale …”

Monarda didyma aka Bee Balm in Glass Flowers Exhibit.   @FanningSparks
Monarda didyma aka Bee Balm

Pursued by Harvard   In Leopold and Rudolf Blaschka, Harvard Botanical Museum Director George Goodale had found a source for scientifically accurate plant models for study and display.  Goodale actively lobbied a reluctant Leopold and in 1886, finally persuaded the father and son duo to create a small selection of plant models for Harvard University.  Entranced by the models’ beauty and accuracy, Boston residents Elizabeth C. Ware and her daughter Mary Lee Ware agreed to finance the creation of an entire collection.”

Cosmos bipinnatus in Glass Flowers Exhibit.   @FanningSparks
Cosmos bipinnatus

To Model the Plant World   In 1890, Goodale’s persistence was rewarded when the Blaschkas signed an exclusive 10-year contract with Harvard University to create the Ware Collection of Glass Models of Plants.  Leopold and Rudolf completed the majority of the collection before Leopold’s death in 1895.  In the nearly four decades to follow, Rudolf dedicated himself to producing plant models for Harvard, all the while experimenting with innovative materials and techniques.”

Penstemon spectabilis on Glass Flowers Exhibit.  @FanningSparks
Penstemon spectabilis

Another interesting aspect to the story was the research the Blaschkas conducted. “This photograph of Rudolf Blaschka (right) and botanist William Ganong (left) was taken in 1892 during one of several field trips to the Caribbean and the United States.  In order to create accurate models, Rudolf observed and collected specimens, made drawings and took detailed notes to document plant forms and colors.  The Blaschkas used field specimens as references for 312 of the models created for the collection.”

Rudolf Blaschka on Field Collecting Trip at Glass Flowers Exhibit.   @FanningSparks
Collection of the Rakow Research Library, The Corning Museum of Glass, Corning, New York

The Glass Flowers exhibit at the Harvard Museum of Natural History is… well… incredible!   Whether you’re interested in flowers and gardening or fine glasswork, it’s well worth seeing.

More Info

You can learn more about the Glass Flowers: The Ware Collection of Blaschka Glass Models of Plants exhibition at the Harvard Museum of Natural History in Cambridge, Massachusetts on their website.

My first experience working with glass was at a Gilbert Glassworks’ workshop, in Santa Rosa Beach, Florida.  You can read about that experience in my post A True Hot Glass Experience.  Then I attended a week-long Intro to Glass Blowing class at the John C Campbell Folk School.  You can learn more about the folk school on their website or in my post A Makers’ Playground.

Today’s Takeaways

1. Fellow enthusiasts are a great source of recommendations for experts to admire, exhibits to see and places to visit.
2. Consider examining the work of experts in a medium that interests you.
3. Seek out examples of work that push the limits and make the impossible possible.

Peg - FanningSparks Author

Birdwatchers observe wild birds in their natural habitat.   The popularity of birding has increased significantly since 1934 when Roger Tory Peterson first published his book “A Field Guide to the Birds”.  The availability of binoculars and the rise of car travel increased the popularity further.
Ready for Bird Watching with Peterson's Field Guide and Binoculars. @FanningSparks
Wild birds can be observed in a multitude of locations ranging from one’s backyard to internationally-recognized, birding hotspots.  Feeding birds in the backyard is tremendously popular.  Research findings, provided by the U.S. Fish and Wild­life Service, report more than 50 million North Americans feed birds.
According to Darryl Jones, a professor at the Environmental Futures Research Institute and School of Environment and Sciences at Griffith University in Australia, “Feeding wild birds is a deceptively commonplace activity. Yet, it is one of the most intimate, private, and potentially profound forms of human interaction with naturepeople who feed birds are alert to a wide range of additional natural phenomena.”  In the below photo, it’s a full house at the silo feeder as a flock of American Goldfinches enjoy niger seed in Margaree, Cape Breton, Nova Scotia.
Full House at the Niger Seed Feeder With a Flock of American Goldfinches. @FanningSparks
Backyard feeders can attract various species of birds depending on location and food provided.  Here a Red-Breasted Nuthatch prepares to leave the feeder.
Red-Breasted Nuthatch on a Backyard Feeder. @FanningSparks
This Downy Woodpecker enjoys a feast at the suet feeder.
Downy Woodpecker Enjoys the Suet Feeder. @FanningSparks
In addition to enhancing our connection with nature, watching birds can provide inspiration for arts and crafts.  Take this sweet little Black-Capped Chickadee for instance.
Sweet Little Black-Capped Chickadee. @FanningSparks
Anne Morrell Robinson is an international award winning fiber artist located in Big Intervale, Cape Breton, Nova Scotia.  I recently had the pleasure of visiting Anne’s treasure-filled studio at Kingross Quilts and Fibre Arts.  As she showed us around, this gorgeous work-in-progress on her quilt design wall caught my eye.
Chickadee-Themed Quilt by Anne Morrell Robinson. @FanningSparks
The below wine/red fabric, called My Little Chickadee and designed by Jackie Robinson, inspired Anne’s design.
Anne Morrell Robinson's Quilt Incorporates My Little Chickadee by Jackie Robinson. @FanningSparks
But Anne took the chickadee theme to the next level by designing and creating her own chickadee appliques.  Brilliant!
Closeup of Chickadee-Themed Quilt In Progress by Anne Morrell Robinson. @FanningSparks

Closeup of Chickadee Appliqued Quilt by Anne Morrell Robinson. @FanningSparks
This quilt was not the only piece that featured local birds.  The below quilted wall hanging features appliqued crows.
Crow-Themed Quilt Panel by Anne Morrell Robinson. @FanningSparks
There’s another crow in the below quilted panel, called In the Woods.
In the Woods Quilted Panel by Anne Morrell Robinson. @FanningSparksI don’t want to give the impression that Anne’s work is limited to bird themes.  Her studio was filled with beautiful quilts, hooked rugs and other fiber arts with a wide variety of subjects.  Here’s a quilt she had in progress on her quilting machine.
Quilting in Progress at Anne Morrell Robinson's Studio. @FanningSparks
She calls this pattern Plates and Saucers because that’s what she used to draw the circles for the original template.   I love the vibrant colors and bold patterns in this one.
Plates and Saucers Quilt by Anne Morrell Robinson. @FanningSparks

It is said that birds delight people because of their beauty and their power of flight.  Many believe birds also help people connect to the beauty of nature.  I’d like to take it one step further and point out that birds are a major source of inspiration for artists around the world.
Special thanks to Bertha and Dave for the private showing at their bird theater and to Anne for the special tour at Kingross Quilts and Fiber Art.

More Info

To learn more about Anne Morrell Robinson and her beautiful work, check out the Kingross Quilts and Fiber Arts website or Facebook page.
I recently visited another talented Nova Scotian artist.  See Rug Hooking in my Home Province to learn about Deanne Fitzpatrick and her lovely hooked rugs.

Finding inspiration in nature is a recurring theme on this blog.  Check out the following posts for more:
Color Palette by Mother Nature
Patterns by Mother Nature
Texture by Mother Nature

The Cornell Lab of Ornithology is a great source of information for birdwatchers.  Their website states: “We believe in the power of birds to ignite discovery and inspire action.  Join us on a lifelong journey to enjoy, understand, and protect birds and the natural world.”  The All About Birds section of the website is jam-packed with useful and interesting info.

Cornell Lab of Ornithology, along with Bird Studies Canada, operate Project FeederWatch which is “a winter-long (November-April) survey of birds that visit feeders … in North America. Participants periodically count the birds they see at their feeders and send their counts to Project FeederWatch.”

Today’s Takeaways

1. Watching birds can be a surprisingly enjoyable pastime.
2. There are numerous resources available to learn about birds and bird feeding.
3. Birds can be a great source of inspiration for art, craft and design.
Peg - FanningSparks Author

While we’ve been enjoying the sunshine and warm temperatures of spring in the US Southeast, my family and friends in the Canadian Maritimes have been waiting patiently under dreary, grey skies.  Spring takes it time coming to this beautiful part of the world.  But once it does, it does not disappoint!  The magical greens of new growth are everywhere as the world wakes up from its long winter nap.
Create Beauty Yarn Skeins at Deanne Fitzpatrick Studio.   @FanningSparksPerhaps it’s that long winter nap that has led to the long-standing tradition of rug hooking in this region.  Originally, rugs hooked by housewives from old clothing, were used to provide warmth on household floors.  Hooked rugs are rooted in practicality and frugality‒a fitting metaphor for this region.  But over the years, the rugs have become works of art and the makers have become artists.  They’ve taken something that started as a functional necessity and made it into something beautiful for the home.  This type of transformation is common in this region which boasts many talented artists and artisans.  I recently had the opportunity to visit one of those artists.

Deanne Fitzpatrick is a widely-recognized expert in the world of rug hooking.  Here’s how the 2016 Globe and Mail article, “Modern Hookers”, put it:  “Every Canadian hooker working today knows Fitzpatrick, who has been creating work, writing books, offering courses and selling supplies out of her studio in Amherst, N.S., for 25 years. Her rugs are alive with movement, informed by both her technique and aesthetic.”
A Grey House in Springtime Hooked Rug by Deanne Fitzpatrick.   @FanningSparks
Ironically, I first learned about Deanne from a fellow student at the John C Campbell Folk School (thank you Suzanne!).  Suzanne is from Florida and we were in the same Sheep to Shawl class.  She got hooked on rug hooking during a previous visit to the Folk School and had since journeyed to Nova Scotia to see all things rug hooking.  The irony is that I’m from Nova Scotia‒I was born and raised there and started my career there‒but I had never heard of Deanne.  It almost sounds like a joke… “Did you hear the one about the Nova Scotian who went all the way to North Carolina to learn about a rug hooker in Amherst?”  Unlikely coincidences like this are common at the Folk School‒it’s simply become part of the magic!

Regardless of how I learned about Deanne Fitzpatrick and her amazing hooked rugs, I set my sights on visiting her studio in Amherst Nova Scotia at the first opportunity.  That opportunity presented itself during a recent trip to visit my family.  My sister and I took a day trip to immerse ourselves in rug hooking.
Deanne Fitzpatrick Studio in Amherst Nova Scotia.  @FanningSparksBefore I go any further, I need to warn you; don’t let the name fool you!  “Rug hooking” is not about making floor mats.  Don’t even think about wiping your shoes on one of these beauties!
Spruce Meadow Hooked Rug by Deanne Fitzgerald Studio.   @FanningSparksDeanne’s Studio is a treasure trove of colorful fiber in artistic displays.
Yarn Display at Deanne Fitzpatrick Studio.   @FanningSparks
Concrete Sheep in Wood Display at Deanne Fitzpatrick Studio.   @FanningSparks
Northumberland Fields Colorway at Deanne Fitzpatrick Studio.   @FanningSparksOne of the best things about visiting the Studio is the legendary Maritime hospitality.  Where else would you be given free rein to wander around the entire studio and invited to enjoy a cup of tea with delicious oak cakes?  Plus you’re encouraged to learn to hook.  Deanne, herself, taught us how.
Five Minutes to Learn at Deanne Fitzpatrick Studio.   @FanningSparks
Cheticamp Rug Hooking Frame at Deanne Fitzpatrick Studio.   @FanningSparksAs promised, it only took a few minutes to learn.  Here’s my sister, Marian, giving it a try.
Marian Learning to Hook Rugs at Deanne Fitzpatrick Studio.   @FanningSparks
She quickly got the hang of it!
Closeup of Marian Learning to Hook Rugs at Deanne Fitzpatrick Studio.   @FanningSparksYou start with a backing of burlap or linen stretched on a frame.  Then using a simple hook you pull strips of fabric, strands of yarn, or other fiber through the backing to make a small loop.  You repeat this process until you’ve covered the surface with fiber loops.
Buckets of Studio Hooks at Deanne Fitzpatrick Studio.   @FanningSparksOf course, it takes an artistic eye and lots of practice to work up to beautiful pieces like Deanne’s “The Golden Season”.
Detail from The Golden Season Hooked Rug by Deanne Fitzpatrick.   @FanningSparksDeanne and her team strive to “Create Beauty Everyday” and they encourage their customers to do the same.  She’s said “it is my goal to live simply, and make hooked rugs that are unmistakably art”.  Obviously, she has accomplished that goal.
Create Beauty Everyday Hooked Rug by Deanne Fitzpatrick.   @FanningSparksSpecial thanks to Deanne and her team for your kind hospitality and a memorable visit!

More Info

You can learn more about Deanne Fitzpatrick, along with everything you need to get started hooking rugs, on the Deanne Fitzpatrick Studio website.
As you can see on the website, Deanne is the author of over a half dozen books including a children’s book.  The book, Singily Skipping Along, was a collaboration with beloved children’s book author Sheree Fitch.  Sheree contributed the delightful story with her usual charming verse while Deanne contributed the illustration using the color, shape and texture of her hooked rugs.  The unexpected combination provides a joyful reading romp.  You can learn more about Sheree Fitch in my previous post A Visit to Mable Murple’s.
Here’s a link to the 2016 Globe and Mail article,“Modern Hookers”, mentioned above.
To enjoy legendary Maritime hospitality for yourself and/or to plan a visit to the Deanne Fitzpatrick Studio in Amherst, Nova Scotia, Canada check out Tourism Nova Scotia’s website.
UPDATE August 20, 203:  You can learn more about the John C Campbell Folk School, where I participated in their Work Study Program, on their website or in my previous blog posts at About > Folk School category index.

Today’s Takeaways

1. Explore various mediums and art forms to broaden your range and expand your skills.
2. Much like we’re warned not to judge a book by its cover, don’t miss out on a great craft just because of what its called.
3. Consider enhancing your travel experiences, both near and far, by including arts, crafts and personal interests on your itinerary.
Peg - FanningSparks Author

This year’s Madison in May Spring Tour of Homes was another great opportunity to visit outstanding historic properties in the Madison, Georgia area.  But for me, what started out as a house tour somehow morphed into a house crush.  Let me explain.
One of the properties featured on the tour this year was the Foster-Thomason-Miller House.  It doesn’t look too grand right now but here’s the thing‒this house was once a masterpiece and, if all goes according to plan, it will be again.
The Foster-Thomason-Miller House in Madison Georgia.   @FanningSparksThis house is located on Main Street in Madison.  I often drive by it when I run errands around town.  Sadly, the property was neglected and had fallen into disrepair.  Then over the last few months, I noticed things were happening‒workers were present, scaffolding was erected, wooden braces were installed, piles of bricks appeared, and signs were posted.
Morgan Madison Conservancy Stabilizing the House.   @FanningSparksWhen I noticed the house was included on the Madison in May tour, I was excited to go have a look.  I wasn’t disappointed‒there’s definitely something special about this house!  Below you can see the Library as it is today with a large photo showing how it looked previously.
The Library in the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparksThis is the Entry Hall which originally showcased a solid walnut staircase.
The Main Staircase in the Entry Hall of the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparks
Walnut Newel Post on Main Staircase in the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparksThis house was obviously beautiful in its day.  And maybe that’s the attraction‒its the possibility of bringing it back to its former glory!  Every detail that’s still intact‒and there are many‒is just waiting to be restored.  Lucky for the house, many citizens of Madison and the surrounding area feel the same way.  Here’s a glimpse of the ornate trim on the exterior.  Can’t you just picture it as it was?
Ornate Gable on Foster-Thomason-Miller House in Madison Georgia. @FanningSparks
Turns out, a local organization called the Madison-Morgan Conservancy (MMC) purchased the property in an effort to save it.  They took on the task of preparing it for sale.  Having moved to the area recently, this was all new to me.  I’ve since learned the MMC’s mission is to “provide public education on conservation matters and to protect and enhance the heritage and quality of life of the residents of Morgan County, by preserving historic sites, greenspace, farmland, and timberland.”  The house is currently under contract so a conservation buyer has been found and, fingers crossed, everything will come together for a smooth transition.
The more I learn about this house, the more intrigued and fascinated I become.  Here are a few more photos along with some of its rich heritage.
Ornate Coat Hook at the Foster-Thomason-Miller House in Madison Georgia. @FanningSparks
The house, officially called the Foster-Thomason-Miller House, was built in 1883 by Legare H. Foster.  Foster had grand plans for this house and he had the funds to make those plans a reality.  Here’s an excerpt from a 1883 Madisonian newspaper article: “An Elegant Residence  Perhaps the most elegant country home in Middle Georgia is that of Legare H. Foster, in this city.  Of all the attractive residences in Madison, this is the most desirable. A stranger to parsimony, this thrifty and comfort-loving man has just completed, by contract, one of the most beautiful and costly residences ever built in this city.”
The article goes on to say the below room, the Red Room “is one of the prettiest rooms we ever saw, and is finished at great cost‒being beautifully frescoed.”
High Windows in Red Room of the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparks
The house reflects the Aesthetic Movement and, as the story goes, was greatly influenced by a lecture given in Atlanta, Georgia in 1882.  Surprisingly, the lecture was given by Oscar Wilde, someone more widely recognized for his plays, novels and poetry, than for his decorating expertise.  Wilde’s lecture was part of a 9-month, 140-lecture tour across Canada and America.  The Atlanta lecture was titled “House Beautiful” and promoted the virtues of the Aesthetic Movement.  This is why I’ve come to think of the Foster-Thomason-Miller House as “Madison’s House Beautiful”.
Here are a few excerpts from Wilde’s lecture with illustrative examples from Madison’s House Beautiful.  Wilde said “There is nothing which gave me a greater sense of barrenness in travelling through the country than the entire absence of wood carving in your houses.  Wood carving is the simplest of the decorative arts.”  This House Beautiful contains several excellent examples of wood carving including this stunning lion head in the Entry Hall.
Carved Lion Head in Entry Hall of the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparksIn regards to the use of color, Wilde said “You have too many white walls.  More colour is wanted.”  The owners of this House Beautiful seem to have taken this advice to heart.  Color is used throughout the house including this beautiful wall in the Library.
Wall Treatment from Library in the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparksWilde advised his listeners to look to nature for decoration inspiration.  “Golden rod and aster and rose and all the flowers that cover your valleys in the spring and your hills in the autumn: let them be the flowers for your art… Nature [has] given you the noblest motives for a new school for decoration.”  Here are some examples of floral motifs in this House Beautiful.  This stenciled ceiling is from the Library.
Stenciled Ceiling in Library at the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparks
The below stenciled wall is from one of the upstairs rooms.
Stenciled Wall Treatment from on Foster-Thomason-Miller House in Madison Georgia.   @FanningSparksThe Aesthetic Art Movement was short lived, lasting for only about 10 years from 1880 to 1890.  As a result, there are not many surviving examples of this style‒a situation which makes Madison’s House Beautiful even more significant.
This House Beautiful has had its ups and downs over the 136 years since it was lauded in the Madisonian.  Six years after completion, it was sold to Robert Usher Thomason whose family owned the house for nearly 90 years.  In 1978, the house was bought by Richard and Marcia Miller who undertook a meticulous restoration.  They were recognized for their outstanding accomplishment winning the Georgia Trust for Historic Preservation’s award for residential restoration in 1986.
Sadly 15 years later, a fire in the kitchen addition destroyed that section of the house and caused severe water and smoke damage throughout.
Damaged Kitchen Addition at the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparksThe house has been vacant since the fire.  It was placed on the Georgia Trust’s 2018 “Places in Peril” list meaning it was recognized as a valuable structure at risk of being lost.  This brings us back to present day with the MMC having found a conservation buyer to preserve this outstanding property.
Thank you MMC for your efforts to preserve this beautiful residence!  Best of luck to the MMC and the new owners with the pending restoration.  I’ll be waiting anxiously for my next opportunity to view Madison’s House Beautiful.
Damaged Walnut Staircase in the Foster-Thomason-Miller House in Madison Georgia.   @FanningSparks

More Info

I also had the pleasure of attending the Madison in May Spring Tour of Homes last year.  Here’s a peek into the tour: Madison in May – 15 Favorite Fotos.

You can learn more about the Madison-Morgan Conservancy (MMC) on their website.

To learn more about the Foster-Thomason-Miller House, check out the relevant section on the MMC website or the FTM House website.

Interestingly, the Aesthetic Art Movement (from about 1880 to 1890) was immediately followed by the Art Nouveau period (from about 1890 to 1914).  I’ve long admired Art Nouveau and shared My Art Nouveau Love Affair in a previous post.

Today’s Takeaways

1. Let fine craftmanship inspire your decorating choices. Both the Aesthetic Movement and Art Nouveau promoted handcraftsmanship over mass production.
2. Consider viewing historical homes for decorating inspiration.
3. If you feel strongly about preserving historical homes, consider getting involved with the Madison-Morgan Conservancy or a similar organization near you.

Peg - FanningSparks Author

A picnic is a meal taken outside as part of an excursion or outing.  But in today’s post, I’m pushing that definition and taking an excursion to my own backyard for a colorful lakeside picnic.  Here’s the setting, from our back porch, in the early morning sunshine.
Early Morning View of Lakeside Dock.   @FanningSparksLater in the day, the scene from my picnic blanket looked like this.
Lakeside View from Picnic Blanket.   @FanningSparksToday’s picnic theme is bright and joyful.
Color Wheel Tray with Drinks at Backyard Picnic.   @FanningSparksColorful pinwheels set the mood.
Colorful Pinwheels for Backyard Picnic.   @FanningSparksA clear plastic tray, decked out as a color wheel, carries the colorful theme forward.
Color Wheel Tray for Backyard Picnic.   @FanningSparksA matching picnic blanket, pillow and napkins pull it all together.  Plastic glasses and melamine plates add ease and convenience.  A wicker picnic basket and small table tray help with transport and set up.
Setting up the Backyard Picnic.   @FanningSparksMeanwhile, a vintage lawn croquet set adds playful fun and character.
Vintage Croquet Mallets on Carrier.   @FanningSparks
A Vintage Croquet Set for Playful Fun.   @FanningSparks
Vintage Croquet Mallet and Ball.   @FanningSparks
Vintage Croquet Peg.   @FanningSparksA simple meal of bread, cheese, olives, meats and fruit hit the spot.
Colorful Backyard Picnic Scene.   @FanningSparks
Pears in a Backyard Picnic Lunch.   @FanningSparks
Bread Cheese Pears in a Backyard Picnic Lunch.   @FanningSparksAfter this nice light meal, a little cloud gazing was in order.
Cloud Gazing at a Backyard Picnic.   @FanningSparks

More Info

It turned out to be a rather windy day which meant my newly crafted pinwheels were put to the test.  Honestly, I couldn’t quite remember how to make pinwheels and had to check online.  The trick is to start with a square piece of paper and cut from each corner to the center. Then punch a hole in one tip of each corner and pull it to the center creating a set of 4 identical “wings”.  Easy!
Pinwheel Made from Yellow Cardstock.   @FanningSparksCardstock turned out to be the ideal material.  It comes in lots of colors and can easily be printed to add a little extra interest (eg black stripes).  Cardstock is flexible enough to bend the wings without creasing or folding.  I drilled a small hole in the end of a bamboo stick to hold the pinwheel.  We have lots of bamboo in our yard so that was an easy choice.  Alternatively, you could use small dowels.
Yellow Pinwheel on Bamboo Stick.   @FanningSparksThe tricky part was making the pinwheels spin smoothly.  After a little trial and error, I found a solution that worked.  Short pieces of wire, with a small loop at each end, held the pinwheels to the bamboo sticks.  But getting the tension and spacing right was the challenge.  The pinwheel didn’t spin if it was attached too tightly or too loosely.  I finally got the right tension when I inserted 3 small wooden beads as spacers between the layers‒one bead on top of the wings, one bead between the wings and the paper back, and one bead between the paper back and the stick.  That worked like a charm and the pinwheels were spinning in the breeze.
Small Beads Make Pinwheel Spin Smoothly.   @FanningSparks

For another take on a spring picnic in a beautiful setting, check my previous post Picnic Under the Wisteria.

Today’s Takeaways

1. Consider celebrating spring with a picnic in your own back yard or a nearby green space.
2. Old-school items, such as pinwheels and lawn croquet, are an inexpensive way to add interest and fun.
3. A picnic is a great excuse to get outdoors, savor a simple meal and enjoy nature.

Peg - FanningSparks Author