As someone who loves to make, I’m always looking for places to display my treasures and store my projects and materials.  I also need a space to tack ideas and inspirational items.  I assume fellow makers and collectors face a similar challenge.  Today I’d like to share how I solved this problem with what I consider to be The Ultimate Maker’s Cabinet.

My Criteria

When I started thinking about a Maker’s Cabinet, I had several seemingly conflicting criteria in mind.  Let’s walk through my criteria and I’ll show you how I addressed each one.

1.The Maker’s Cabinet should be an attractive piece of furniture that will fit in anywhere in my home. It can’t require a studio or dedicated craft area.  It should be a separate piece of furniture that can be moved and should not be built in.

Maker's Cabinet showcasing extra-large cross stitch panel design on front doors. @FanningSparks

2. The Maker’s Cabinet should make a statement on its own. It should be special and stand out.

Maker's Cabinet showcasing extra-large cross-stitched front door panel. @FanningSparks

3. The Maker’s Cabinet should keep all my lovely maker collections and materials visible but allow me to hide them.

Maker's Cabinet opened to show inside storage shelves, trays and panels. @FanningSparks

4. The Maker’s Cabinet should provide quick and easy access to all my projects and materials but keep them neatly stored and organized.

Maker's Cabinet features fabric-covered panels on the inside doors along with custom configured shelving. @FanningSparks

5. The Maker’s Cabinet should provide lots of space to pin inspirational items, art and ideas. It should be easy to add, remove and change these items.  It needs the flexibility to keep them hidden or display them.

Maker's Cabinet features fabric-covered panels on the inside of the doors along with custom configured plastic tray shelves. @FanningSparks

6. The Maker’s Cabinet should be affordable. Re-purposing a piece of furniture is a possibility but having a furniture maker build a new custom cabinet is not.

Entertainment center found at Restore thrift store was re-purposed into Maker's Cabinet. @FanningSparks

My Process

The above photo shows the old entertainment center I re-purposed to create my Maker’s Cabinet.  I searched numerous thrift stores to find the perfect “blank slate”.  This entertainment center was definitely dated and has a very rustic style but it was solidly built, in good condition and the desired size.  And at only $50.00 USD, it was the perfect price!

TIP: Thrift stores, especially the Habitat for Humanity Restore thrift stores I frequent, are jammed with old entertainment centers these days.  It seems everyone is switching to wall mounted TVs so entertainment centers are being phased out.  Generally, these entertainment centers are good quality and (I assume due to the sheer number of them) priced very low.  This situation presents some fabulous opportunities to anyone interested in re-purposing and/or refining furniture.

Once I had this foundational piece I was able to start the transformation. Some of my changes were quite predictable.  I reconfigured the shelves into more, smaller shelves (as shown below).  I added a back to the top section and covered it with fun fabric.  I refinished the cabinet with a fresh coat of paint on the inside and the outside.  I fixed up the hardware by replacing the knobs and painting the hinges.

Maker's Cabinet showing newly configured bottom section. @FanningSparks

But several changes were less conventional.  Covering the outside of a cabinet with fitted fabric panels is certainly not something you see every day.  But this is my favorite thing about this cabinet and, in my opinion, this feature makes it stand out from the crowd.

The original cabinet had simple, wooden panel doors. I knew I wanted to rework them with something unique and special.  First I considered a fretwork overlay.  I even created an entire design with a mirror background that would have been lovely.  Then I started to think about stained glass and mosaics which could have been extraordinary.  But then it occurred to me that I was wasting all that space on the sides of the cabinet.  I started to wonder, why is it that cabinets and furniture never maximize their surface space?  That’s when the idea of being able to display things on the outside of the cabinet occurred to me.  I experimented with a few options and then settled on wooden frames made of mitered molding with fabric-covered panels inside them.

Maker's Cabinet closeup of mitered frame holding fabric-covered panels. @FanningSparks

This approach gives me ultimate flexibility.  I can leave the panels blank.  I can embellish a single panel as I did with the extra-large cross stitch.  I could display an entire collection by pinning it to the panels.  Or I could switch things up by putting different fabric on the panels.  These panels allow me to easily change the look of the cabinet at any time.  I was so taken by the fabric-covered panels on the outside of the cabinet, that I repeated the idea on the inside of the cabinet.  There are two panels on the top doors and a sliding panel.

Maker's Cabinet closeup of mitered frame holding fabric-covered panel on inside of doors. @FanningSparks

The sliding panel was actually a way to maximize space.  There were a few inches of unused space in front of the top shelves so I decided to squeeze in a sliding fabric-covered panel.  This was a fun addition because I learned how to build and install a mini barn door.  Many thanks to the folks at Shanty2Chic for the idea to use clothesline pulleys and for the detailed instructions.  More Info section below for link.  I did have to adjust the design to mount the horizontal bar inside the cabinet instead of on the outside where a door would normally be mounted.

Maker's Cabinet has sliding fabric-covered panel on custom-made barn door hardware. @FanningSparks

Another detail that makes this cabinet special is the series of plastic trays.  Originally I considered using a series of drawers but building drawers requires significant effort and purchasing custom-built drawers can be rather expensive.  I started looking for alternatives and discovered the IRIS Portable Project Cases which are plastic cases that measure about 12”L x 13”W by 3”H.  They’re the perfect solution.

Maker's Cabinet with plastic trays sitting on wood lath slats and fabric covered backing peeking through. @FanningSparks

I appreciate that I can slide the entire tray in and out; it’s easy to simply slip out a tray and take it to my work area.  I also appreciate that they’re a good size and can hold a considerable amount. Plus it was easy to build supports for the trays by simply installing two pieces of 1.5″ wood lath to hold each tray.  And to meet my objective of keeping things neat and orderly, I found labels that fit the plastic trays perfectly and printed appropriate titles for each tray.  See More Info for links.

Maker's Cabinet plastic trays provide easy access to craft supplies and projects. @FanningSparks

And, finally, who doesn’t love a good before and after comparison?

From thrift store find to Ultimate Maker's Cabinet. @FanningSparks

More Info

Several of the projects/ items pictured below in my Maker’s Cabinet have been mentioned in other FanningSparks blog posts.

Maker's Cabinet items tied to related FanningSparks blog posts. @FanningSparks

  1. The vintage tablecloth (bottom of stack) was the inspiration for This Stitch is Off and Running.
  2. Several of these gorgeous yarns were purchased during A Visit to Clara’s Loom.
  3. Alabama Chanin has its own dedicated shelf.  See A School for Makers for more information about this amazing designer and the Tshirt project I have underway.
  4. This embroidery sampler is the first one I ever made.  You can learn more about it on my About page.

You may also have noticed the DIY woven statement necklaces pinned to the right door.  See DIY Woven Statement Necklace Tutorial for step by step instructions on how to create one for yourself.

You can learn more about the Habitat for Humanity Restore thrift stores on their website.

Here’s a link to the excellent post on DIY Barn Door Hardware for $20 by Shanty2Chic.  Special thanks for this great resource!

Today’s Takeaways

  1. It is possible to keep your maker treasures and materials both hidden and displayed.
  2. Fabric-covered panels can be used to maximize the surface space of a cabinet for display purposes.
  3. Entertainment centers, which are readily available at thrift stores, can be transformed into one-of-a-kind Maker’s Cabinets.

Peg - FanningSparks Author

Every year, the small town of Madison, Georgia hosts a Spring Tour of Homes.  Madison proudly claims a lovely Historic District which is listed in the National Register of Historic Places.  As stated on the Madison website, “Madison’s preservation efforts reflect a nationwide movement to preserve a “sense of place” amid generic modern development.”  These efforts appear to be paying off as Madison was recently awarded the title of Best Small Town in Georgia 2018 by Southern Living.

There were 8 homes on the tour this year.  I was able to visit 5 and I took a ton of photos.  I had to force myself to narrow it down to my top 15 photos to get to a manageable number for this post.  This is pretty typical of most home and garden tours; you’re surrounded by so many new and interesting things that it’s impossible to digest everything you see.  I’ve learned to make the most of a house and garden tour by focusing on a few intriguing details at each location.  I don’t try to notice, record nor document everything about every location.  Instead I look for interesting items, pleasing arrangements and pretty vignettes.  You could think of them as snippets.  I learn as much as I can about each snippet before giving it further consideration.  Why did this item/arrangement/vignette  appeal to me?  What does it tell me about the owner/creator?  Is there a story here?  Is it something I would want to recreate/re-imagine in my own home?

Here are, FanningSparks 15 Favorite Fotos (aka snippets) of the Madison in May Spring Tour of Homes…

Madison in May - 15 Favorite Fotos Cover

 

Spotted at the Holly Hall property on Academy Street (circa 1851):

This charming roof originally covered the well house at this property. @FanningSparks
This charming roof originally covered the well house at this property.

 

Vintage eyeglasses casually placed on an old DVM Library book. @FanningSparks
Vintage eyeglasses casually placed on an old DVM Library book.

 

Authentic Singer sewing machine staged for action. @FanningSparks
Authentic Singer sewing machine staged for action.

Spotted in the Madison Historic District around Porter and Third Streets:

Curvaceous lines of a vintage truck peeking out of a shed. @FanningSparks
Curvaceous lines of a vintage truck peeking out of a shed.

 

Old school bicycle perfectly placed in front of this lovely Victorian style home. @FanningSparks
Old school bicycle perfectly placed in front of this lovely Victorian style home

 

Spotted at the Sylkenplum Cottage property on Plum Street (circa 1912):

Unexpected and amusing collection of springs. @FanningSparks
Unexpected and amusing collection of springs.

 

Spotted at the Rector House on Dixie Avenue (circa 1850; altered 1890 and later):

Showstopper countertops are made from local pecan wood. @FanningSparks
Showstopper countertops are made from local pecan wood.

 

Spotted at the Camp Boxwoods property on Athens Highway (circa 1978; significantly modified 2003):

Thoughtfully placed fountain is the perfect focal point in the pergola's line of sight. @FanningSparks
Thoughtfully placed fountain is the perfect focal point in the pergola’s line of sight.

 

Custom-made wood ceiling meticulously cut to taper in at the peak of the turret. @FanningSparks
Custom-made wood ceiling meticulously cut to taper in at the peak of the turret.

 

Simple colored glass bottles displayed with a few choice blooms echo the colored glass window panes. @FanningSparks
Simple colored glass bottles displayed with a few choice blooms echo the colored glass window panes.

 

Purple tones of the African violet emphasize the blue and white dishes. @FanningSparks
Purple tones of the African violet emphasize the blue and white dishes.

 

Pretty ball and dowel spandrel is highlighted by the greenery of the hanging ferns. @FanningSparks
Pretty ball and dowel spandrel is highlighted by the greenery of the hanging ferns.

 

Beautifully restored white vintage truck makes a statement without taking over. @FanningSparks
Beautifully restored white vintage truck makes a statement without taking over.

And now for something a little different.  You don’t often see farm animals on a house and garden tour!  Perhaps that’s why these are my two favorite shots.  Please note I will not be trying to recreate this snippet in my own home :-).

Highland cows are originally from Scotland and have a very distinctive look. @FanningSparks
Highland cows are originally from Scotland and have a very distinctive look.

 

This donkey strikes the perfect pose. @FanningSparks
This donkey strikes the perfect pose.

Truth be told, I love taking photos of farm animals and I’m always on the lookout for a photogenic cow!  Hmmm… wonder if it has something to do with the fact that I grew up on a dairy farm in the picturesque countryside of Nova Scotia Canada?

More Info

You can learn about the Madison in May event on their website.

You may also enjoy a look at Charleston’s Glorious Window Boxes which I posted after visiting Charleston’s Festival of Houses & Gardens earlier this year.

Today’s Takeaways

  1. House and garden tours are a great source of ideas.  Avoid being overwhelmed by looking for the details that contribute to the overall decor.
  2. Look for unusual collections, treasures and arrangements.  Why does it appeal to you?  What does it tell you about the owner/creator?   Is there a story here?
  3. Consider recreating/ re-imaging an idea in your own home.  How could you make it your own?  What details are most relevant to you?  Does it help tell your story?

Peg - FanningSparks Author

The Heritage Garden at the North Carolina Arboretum in Asheville features plants associated with Southern Appalachian crafts such as natural dyes, hand papermaking, broom making, basket making and botanical remedies.  An informational board showcases naturally dyed yarns in a surprising array of colors and identifies which plants were used to create the dyes.  Small signs (like this one for the Rose of Sharon) identify specific plants and their usage throughout the garden.  I became intrigued by the idea of natural dyeing after seeing this exhibit.

NC Arboretum Heritage Garden - DyeMaking Plant Marker. @FanningSparks

Fast forward to a year later, I had the opportunity to attend a Natural Dyes workshop at the Robert C. Williams Museum of Papermaking in Atlanta.  The workshop was led by Doug Baulos and Jacob Phillips.  It was an information-packed, fun-filled day of making.

First we made an eco-print placing eucalyptus leaves, red cabbage and steel wool on a vinegar-spritzed sheet of paper.  The paper was tightly rolled, tied with fabric strips, and then cooked and steamed for several hours in a concoction of coffee, tea, vinegar and other liquids.  The results were a wonderful surprise!

Eco-print designed, rolled and tied; ready to be cooked. @FanningSparks

Cooking the eco-print. @FanningSparks

Vintage frame showcases eco-print. @FanningSparks

In our second project, we learned about Suminagashi which is the ancient art of Japanese marbling.  We used natural dyes made from cutch, pokeweed, hopi and lily/buckthorn/iron.  The best part was playing with the floating dyes to achieve a striking design.   Next, we moved on to the Venetian Fold.  Using rice paper, we learned how to complete a Venetian fold.  We dipped our folded paper into 3 different dyes (buckthorn (alembic), alkanet and madder) to achieve a lovely ombre effect.

Rice paper in Venetian fold dyed in buckthorn, alkanet and madder. @FanningSparks

All of this was great fun but the last topic, Itajime, was the most popular.  Itajime is a Shibori technique where you fold to create negative spaces in the dyed fabric.  We learned about vat dyeing and the proper way to develop and handle an indigo dye vat.  Then we all had great fun folding papers and fabrics in a variety of innovative ways.   We used clamps, wooden blocks, string and rubber bands to hold the folds in place and create interesting patterns.  Then we dipped our little bundles into the indigo vat to let the dye take over.   After carefully unfolding our dyed items they were hung to dry.  Here you can see some of the amazing work created by my talented classmates.

Itajime projects drying on the line. @FanningSparks

The whole process was magical!  It’s little wonder natural dyeing has become so popular.  Ironically the age-old practice of using dye derived from plants and animals was phased out in the mid-1800s when synthetic dyes were introduced.  Yet, as we see with so many traditional arts and crafts, interest in natural dyeing has surged and it’s back in vogue.

I’ve always loved the beautiful deep purple-blue flowers of the Baptisia australis (aka Blue False Indigo) but I never realized I could use it to dye fabrics and papers naturally.  Here are a couple of shots of my itajime projects staged in front of the Baptisia australis when it was in full bloom in my flower garden.  Isn’t it cool to see the indigo-dyed paper and fabric with an actual indigo plant?

Indigo dyed paper with false indigo flowers. @FanningSparks

Indigo dyed fabric with Baptisia australis. @FanningSparks

Warning: Using natural dyes does require an informed and mindful approach.  Poisonous plants can easily be mistaken for the intended varieties.  Harmful materials can be used incorrectly.  Research and safety are critical!  It’s also important to be mindful of your sources.  In the southern US, for instance, the demand for natural dye making has increased the illegal harvesting of plants from protected areas and is causing environmental concerns due to over-collection.  Let’s not contribute to this problem.

More Info

You can learn more about the Heritage Garden at the North Carolina Arboretum on their website under Plan a Visit > Garden Exhibits.

Workshops and exhibits at the Robert C. Williams Museum of Papermaking are posted on their website.  They also have an active Facebook page.

Both of the Natural Dyes workshop instructors, Doug Baulos and Jacob Phillips, are active on Instagram.  Be sure to check them out.

Michel Garcia, from Lauris France, is considered to have played a pivotal role in building an understanding of natural dye history and teaching sustainable adaptations for current practice.  He established Le Jardin Conservatoire des Plantes Tinctoriales (Botanical Garden of Dye Plants) as a horticultural resource for chemists, natural dye researchers, and botanists.

I’ve started a Pinterest board on Natural Dyes with lots of info about making and using natural dyes.

Today’s Takeaways

Here are a few thoughts to take away from today’s post.

  1. Sometimes the materials you need to make something innovative and new can be found in your own backyard.
  2. There’s a fascinating connection between gardening and traditional arts and crafts.
  3. Natural dyes have a long history that opens up a world of possibilities.

Peg - FanningSparks Author

A School for Makers? There actually is such a place and I’ve wanted to attend it for some time.  But it’s not the kind of school where you carefully load your backpack with new pencils and notebooks for the first day of school.  It’s not the kind of school where you attend a series of classes to listen to teachers lecture about math, languages and sciences.  It’s not the kind of school where you take copious notes and study into the wee hours before the next big test. The School of Making™ by Alabama Chanin is an experience where you learn by doing, surrounded by like-minded makers and tons of living examples.  You learn new techniques, you try things, you get the hang of it … and you M.A.K.E!  At this school, you learn how to make garments in the style of the award-winning Alabama Chanin brand.  The garments are comfortable and flowing and beautifully embellished by hand.

Here’s a peek into the Alabama Chanin Factory Store in Florence Alabama.

Alabama Chanin Factory Store @FanningSparks

This gorgeousness is the Alabama Chanin Dogwood Tunic.

Alabama Chanin Dogwood Tunic @FanningSparks

Equally lovely is the Alabama Chanin Georgia Smock.

Alabama Chanin Georgia Smock @FanningSparks

 The story of how The School of Making came into being is fascinating and surprising.  Natalie Chanin is the talented designer behind the Alabama Chanin brand of fashion and home goods.  They are known for working in 100% organic cotton jersey fabric.

Bowl of Cotton Bolls at Alabama Chanin School of Making @FanningSparks

You may wonder why someone who makes her livelihood from designing, producing and selling beautiful garments would readily teach others how to make those same garments.  Isn’t the fashion industry about keeping secrets and preventing others from copying your ideas?  Aren’t “knock offs” a bad thing?  Apparently not at Alabama Chanin!  In fact, their mission clearly states their devotion to openly share and educate others.

I had the pleasure of hearing Natalie answer these questions in person.  She readily admits her pieces are expensive and that not everyone can afford them.  But early on when someone accused Alabama Chanin of being an elitist company because of it, she resolved to show others how her garments were made.  That’s when she wrote the Alabama Stitch Book.  Others warned she was putting the nail in her own coffin by giving away her designs and techniques.  But reactions to the book were the opposite; people said “this is kind of hard… now we see why it’s worth so much”.

So Natalie’s gutsy move paid off!  I am thrilled that it turned out in her favor… and in ours!  An entire community of makers eagerly embraced her designs and techniques.  Over time, this evolved into The School of Making where Alabama Chanin fosters creativity and Natalie gives serious thought to cultural sustainability through keeping traditional crafts alive.

So what did I learn in school?  The session I attended was a compressed workshop so we only had time to learn the basics and start a Tshirt project.  Here’s a peek at my “school desk”.

 School of Making Supplies including button craft thread, and The Geometry of Hand-Sewing book. @FanningSparks

We were able to examine spectacular samples and stitch books.

The School of Making - Stripe Scarf DIY Kit @FanningSparks

School of Making Stitch Book page with beading and sequins. @FanningSparks

Here’s my attempt at the Cretan stitch leveraging the ingenious template from The Geometry of Hand-Sewing.  You may recall me mentioning this book in my post called This Stitch is Off and Running.  The stitching templates are made of firm plastic which you can easily tear out of the book.  You simply lay the template on your fabric and use a FriXion marking pen to mark dots on your fabric.  After you’ve finished making your perfectly spaced stitches, you use the heat of an iron to make the dots disappear.  Genius!   See More Info section below for a link to the book.

Learning the Cretan Stitch at The School of Making. @FanningSparks

This is the Tshirt I started.  We used stencils and markers to add the design.  Then used reverse applique with fabric scraps to embellish it.  As you can see, my Tshirt has a long way to go!

Reverse Applique Alabama Chanin style Tshirt project in progress. @FanningSparks

Thankfully, I have The School of Making Stitchalong Facebook group to keep me motivated.  It’s an online support group of over 1000 classmates and like-minded makers.  Folks share their projects, celebrate accomplishments and seek advice.  I imagine this type of interaction being similar to the old-timey quilting bees where members of the community came together to sew and support each other.

Now I’d best get back to that project… I have homework to do!

Reverse Applique Tshirt project in progress. @FanningSparks

More Info

You can find lots of information about Alabama Chanin on their website.  Be sure to check out the gorgeous Collection and The School of Making.  There are several DIY Sewing Kits and other resources to get you started.

Today’s Takeaways

I’d like to leave you with these thoughts; perhaps they’ll spark an idea.

  1. Few award-winning designers are as willing to share as Natalie Chanin so it’s important to show appreciation and support her brand.
  2. A DIY Kit, complete with materials and instructions, is a great way to try a new craft.
  3. Take advantage of online support groups to keep learning and stay motivated.

Peg - FanningSparks Author

My mother knits.  A lot.  She’s knit lots of different articles and patterns throughout her knitting “career” but these days she specializes in socks.  Socks are straightforward and practical just like she is.  She can knit a pair of socks like nobody’s business.  It’s marvelous to watch… just stay clear of those knitting needles because they’re flying!

Basket of sock yarn. @FanningSparks

My mother gives socks.  A lot.  She gives socks to celebrate a birthday, she gives socks to say thank you, she gives socks to welcome you to the family.  Those lucky enough to receive “Oma Socks”, as they’re affectionately called in our family, know that every stitch was made with care and love.

Gifts for special occasions featuring socks by Mom. @FanningSparks

My mother has gifted so many hand-knit socks over the years that she really can’t keep track of who she’s given them to.  Rumor has it, for instance, that my older brother has an entire dresser drawer full of her socks.  I have not actually seen it myself so I can’t say one way or the other.  But I will say, we never turn down her hand knit socks.  They are prized by all.

A stack of hand knit socks. @FanningSparks

So when I asked my Mom if she’d knit me a pair of socks so I could hang them on the wall, I wasn’t sure how she’d react.  After all, socks have a purpose and it’s to keep your feet warm… socks are not meant to decorate your home.  But she came through and agreed to knit a pair of socks to my specifications.  My plan is to showcase these socks in my laundry area.  I bought vintage sock stretchers to display them so the socks had to be a certain size. And I wanted the socks to match the color scheme in my home.

Hand knit socks displayed on vintage sock stretchers with a vintage washboard. @FanningSparks

Back in the day, sock stretchers were used to keep woolen socks from shrinking after they were washed.  A 1907 ad from the Daily True American states “inserted in the stockings during the washing, they prevent shrinking and, because of the large holes in the stretchers, permit of rapid drying”.   But as new and improved yarns were introduced, sock stretchers were no longer needed.  A 1949 ad from DuPont states “DuPont nylon will keep their shape, looks, and smartness for a long, long time. Throw away your sock stretchers too because under normal washing conditions these new Bear Brand honeys won’t shrink, won’t stretch, they’ll always fit.

I think claiming socks will keep their “smartness” is hilarious.  Shape and looks, yes.  But smartness?  So back to the socks my Mom knit for me.  I don’t know about their smartness but I think they’re perfect.  I can’t wait to get them on display.

Hand knit socks with vintage washboard. @FanningSparks

Today’s Takeaways

Perhaps these thoughts will spark an idea:

  1. Displaying handmade items, especially if they’re made by someone special, adds depth and meaning to your home.
  2. Try using everyday household items in unexpected ways.
  3. Thoughtfully placed vintage items can bring fun and interest into your home decor.

Peg - FanningSparks Author

Re-imagining the lowly running stitch in new ways.

One of my favorite things about “making” is the challenge of studying a traditional art or craft and coming up with ways to do it differently.  Could I change the technique?  What would happen if I switched one of the traditional materials?  Or used an entirely different set of materials?  How would this look if it were a different scale (eg bigger, smaller, wider, narrower)?  The possibilities are endless.  The running stitch (also called the straight stitch) is a great case in point.

The below photo shows an example of the lowly running stitch (stitches in green).  If you’ve had a chance to read my About page, you might recognize this as the embroidery sampler I made as a child.  The running stitch is the simplest sewing stitch… merely a line of over and under stitches.  Just the fact that it is included in this child’s sampler, puts the running stitch in the realm of the “basics”.  This stitch is, admittedly, a little lackluster… there’s nothing fancy about a running stitch.  Or so it seems.

Beginner embroidery sampler showing closeup of cross and running stitches. @FanningSparks

The running stitch is traditionally used to embroider or embellish fabric.  Below is a great example of the running stitch used in the traditional way.  This vintage tablecloth is embroidered with a lovely design.  The materials are embroidery floss on a plain cotton fabric.  Notice how the simple running stitch (in black) sets off the more elaborate stitches in the floral design.

Vintage hand-embroidered tablecloth featuring perfectly executed running stitches. @FanningSparks

In this next example, I used a series of running stitches to jazz up a cotton blanket.  The materials have been altered from the traditional embroidery floss and cotton fabric to yarn and a textured cotton blanket.  I used 2 colors of yarn to match the colors in my bedroom décor.  Then I simply stitched along the edge of the blanket.  Lucky for me, there is a row of trim along that edge which has a very obvious grain line.  It was easy to create a neat, uniform row of stitches.  I finished it off by adding some colored yarns to the fringe.

DIY pillows on window seat. Blanket embellished with running stitch and fringe in matching yarns. FanningSparks

Here’s yet another example of the running stitch in a slightly different application.  The below pillow was painted and then highlighted with a running stitch.  I created the design and used painters tape to mark the design on the fabric.  Then I mixed textile medium into paint and applied the design to the pillow cover.  I used black embroidery floss to sew a simple running stitch along some of the painted stripe edges.  I think this delicate black running stitch adds interest and provides the perfect finishing touch.  As you can see in this example, the traditional methods and materials have been altered by incorporating painted fabric.

DIY pillows featuring painted pillow with hand-sewn running stitch accent. @FannngSparks

Here’s another example I’d like to share.  It is, in fact, a work in progress so I can’t yet show the final product.  I’ve been playing with “stitched paper” whereby you stitch paper, or in my case photos, with thread.  This is a more obvious alteration of the traditional materials… instead of stitching on cotton fabric, I am stitching on paper.  Once again, the lowly running stitch is used in a fresh and non-traditional way.

Running stitch hand-stitched on photo; project in progress. @FanningSparks

The running stitch is also integral to an embroidery technique called reverse applique.  Here’s an example of reverse applique that I made to showcase the FanningSparks color scheme.  In this example, the running stitch plays a supporting role.  It is used to sew the different fabrics together but it is the layering and cutting of the fabrics which bring the design to life.

Sample of reverse applique in progress includes stork scissors, embroidery floss and fabrics. @FanningSparks

You may have noticed that the running stitch is typically very uniform.  Sometimes, you can rely on the actual fabric grain to guide you like I did with the blanket above.  Other times you have to monitor the stitch length yourself.  Here’s a great trick I learned for keeping your stitches nice and even.  You simply mark your thumb or finger with the stitch length using a ball point pen.  You’ll want to play around with this a little to determine the best place to make your marks.  I found marking my thumb was the best because that’s where I hold the fabric as I bring the needle in and out of the fabric.

Tip for stitching evenly spaced running stitches. @FanningSparks

More Info

I recently learned about a great book called “The Geometry of Hand-Sewing”.  It is written by Natalie Chanin, the award-winning designer behind Alabama Chanin.  This book includes detailed instructions for 100+ stitches with lots of diagrams and photos.  But the best part is the pull-out templates or stitching cards.  You simply use a FriXion marking pen to mark dots on your fabric so you can make perfectly spaced stitches.  The pen marks disappear with the heat of an iron.  Genius!

Today’s Takeaways

Here are a few thoughts that may spark an idea:

  1. Vintage textiles provide great insight on traditional needlework arts.
  2. Re-imagine traditional needlework art by altering the various aspects of the materials, techniques, scale, application and design.
  3. Take time to experiment and just see what happens.

Peg - FanningSparks Author